Anupam Barve, hailing from Pune, India, is an ardent cinephile who embarked on a unique journey in pursuit of his passion for filmmaking. Although he briefly detoured into the world of science, he eventually chose to follow his heart and completed a graduation in Performing Arts. Before setting his sights on a career in film direction in London, he spent several years engrossed in the realms of drama, documentary filmmaking, and the commendable venture of leading an environmental organization named TekdiPune.

In Barve’s own words, “Fresh Suicide” is a deeply personal and semi-autobiographical creation. Crafted as his final project film during his enrollment in the MA in Film Direction program at the University of Westminster, this cinematic endeavor was driven by a burning desire to tell a story that resonated with his identity and awareness. Anurag, the character portrayed in the film, reflects moments from Barve’s own life, making it a profoundly intimate exploration of sensitive themes. The film delves into the stark insensitivity of the media, particularly the Western media’s perspective on such issues. It also sheds light on the disconcerting trend of idealizing fair skin and the challenges faced by the young, urban population of India as they grapple with a cultural tug-of-war between Western influences and their own roots.

Synopsis: “Fresh Suicide” offers a raw and unflinching portrayal of a young Indian translator thrust into the world of an American journalist who is on a mission to create a photo feature documenting the heart-wrenching issue of farmers’ suicides in rural India. As they scour the countryside for a recent suicide case, the translator, played by Anurag, finds himself caught in the crossfire between his professional duty and personal sensitivity, the aggressive nature of Western journalism, and the lingering shadows of colonialism that continue to cast a pall over rural India.

This short film takes viewers on an emotionally charged journey that explores the complexities of cultural identity, journalistic ethics, and the lasting impact of colonialism, all through the eyes of a protagonist torn between the clamor of Western values and a longing for a deeper connection to his own heritage. “Fresh Suicide” is a testament to Anupam Barve’s artistry, as he ingeniously crafts a narrative that invites audiences to contemplate the multifaceted challenges faced by contemporary India and the ever-evolving struggle for cultural equilibrium.